How To: Body Paragraph in Lord of the Flies Essay
The Lord of the essay is a classic example of a very old story being told to the young. I’m sure that you’ve read it or heard it as a kid, but if you haven’t then you really should give it a serious look. The point is this: there is some truth in the story.
There are many parts of the story that are true. The basic premise is true as well. The problem is that the people who write these stories are either lazy writers or are extremely bad in the story writing part of things. In both cases, they fail at a key step in the entire process.
The first thing that you have to remember about writing a story is that it takes more than one person to write a story. That is, you cannot just have two people, one a writer and one a reader, write a story. It takes two people to put a story together, but only one person to complete it. And that’s why you need two people.
The second thing you have to remember is that the reader and writer must be in the same room. If one person writes the story while the other person reads it, then it doesn’t count. If the writer has to turn off the reader so that he can write it, then that person isn’t a writer and shouldn’t be allowed to write. And so on. It goes on.
Now, all of this is good and I have a lot of respect for the storytellers who do it that way. But it does not work for a story. Because to write a story, you have to be able to think of a plot or story idea, and then create characters and events to support it.
You cannot do that if you’re writing a story by yourself. You have to have someone else help you, or write the script for you. That’s what most writers do. A good screenplay company will give you a screenplay, with the story already done.
Then you spend the rest of the time developing the plot, characters, and events of your story and putting everything together into a novel or screenplay. When you write a screenplay or a novel, you’re putting together a book, not a story.
So, don’t be afraid to give that Lord of the essay a closer look. If you read it and look at it, you may find that there are some truths to it.
One of the things that’s true in the essay is that we want to believe that the main character is the hero, because, after all, we want to believe that if we can root for the villain, we can root for the good guys as well. But that doesn’t mean that the bad guy needs to win, necessarily. We don’t want that.
We don’t want the bad guys to win, either. We want the good guys to win. And we also don’t want all the good guys to lose because that wouldn’t make any sense.
But the point isn’t that all the good guys and bad guys should lose. It’s that the good guys are the heroes, but the bad guys are the villains because they do have a reason for doing what they do.
In the Lord of the essay, you’re doing the same thing, except you’re arguing that good guys are the only ones who have any chance of winning and that the evil guy is the only one who can’t be stopped. Why? Because evil is a character.
The evil guy doesn’t have any personality; he’s not a character, he’s an entity. He can’t think, feel, or feel for himself. He’s just a machine, and you can make him do whatever you want.